(Tia gets things started with a
Tia: what does it mean to be a gentleman?
Russ: that would be a gentle male I guess?
Tia: that is total outer bunk. Never heard so much
tosh. Do you want to know what my definition of a
Russ: of course I do.
Tia: okay. It's a person, a man, that treats women
with respect, always does the right thing, never
complains, listens to criticism, puts up with
irresponsible persons, smiles when somebody makes
some rash statement, doesn't fight back when
somebody makes nasty, rude comments about the
individual. Laughs at bad jokes, is always polite
and courteous in society, always tries to do the
Russ: now is that for at least every single female?
Tia: every single female. I know some that do try.
Russ: oh aye, we try.
Tia: okay, down to business.
Russ: all right, let's get serious.
Tia: okay, at the end of the session we're going to
work on your astral travel.
Russ: oh good.
Tia: okay? But to start off with we will start off
with questions and answers to me. Whilst you look at
your notes, I will continue with our program that we
had planned for this evening. First of all we will
do astral travel and then engineering and then
herbalism and then finally meta-concert practice and
construction on how to construct a meta-concert and
then finally the practical on astral travel.
Russ: okay, fair enough. Okay. Now then, in astral
travel, I've noticed that there are two kinds.
Russ: one which I do and one which Mark does.
Russ: now, being as I'm having most of my difficulty
in going from one to the other, do you see it
as..........I mean what I was talking about patience
Russ: but for some reason I don't see the light at
the end of the tunnel. All I see is just tunnel.
Tia: now what did I say a long time ago?
Tia: besides patience.
Tia: besides practice. It's one thing that I've
Tia: Karra's a good example. So is Kiri, Alana. I'm
not a good example, neither is Lyka, neither is
Athena. Okay, what differentiates.....
Russ: that's what I'm trying to figure out. Besides
the fact that they're all Sirians would be one.
Tia: is Lyka not a Sirian?
Tia: the three that I had mentioned has one thing in
Russ: they're all from my side of the family?
Tia: come on, think, be serious.
Tia: you're missing the blindly obvious......
Russ: I am and all I'm getting is that they're all
tall. I mean......
Tia: am I tall?
Russ: no, that's what I mean.
Tia: is Athena tall? What differentiates Lyka,
Athena and myself from Kiri, Karra......
Russ: and Alana.
Tia: and Alana.
Russ: you're all astral travelers.
Russ: I knew that part.
Tia: uh-huh. Now, why is it that we are better
astral travelers than they are?
Russ: well, for the obvious reason is that you have
that skill in abundance.....
Russ: and we've always said that it is doubtful I
had it in abundance.
Tia: that's right. So don't be so despondent and
disappointed. You may never be able to do D jumps
like Mark which may be very fortuitous because
what's happening to Mark's body?
Russ: well, before Mark did D jumps, he'd get out of
his body, go travel to Europe or wherever he wanted
to go to and he'd still be in not physical form but
much more solid form than I'm getting.
Russ: where's the difference there?
Tia: the fact is that Mark is an astral traveler.
Tia: what are you strongest in?
Russ: and communication.
Tia: the primary function of an individual which
would be in your case healing, right? And everything
else is secondary, doesn't matter how good you are
but your primary function is healing.
Russ: that's right.
Tia: it's all around you your equipment to heal.
Russ: so in other words, this is exactly what I have
been saying all along. The fact that okay, I'm going
to reach a peak and that's going to be it.
Tia: not necessarily.
Russ: okay. There's going to be higher points than
that once in a while?
Tia: possibly yes, once in a while.
Tia: you have, how many good examples? Two good
Russ: what examples?
Tia: of kids.
Tia: of course, yes, twins. Right, I count the Cubs
as one sometimes.
Russ: well I don't, I count them as three.
Tia: well occasionally I'll go I've got the Cubs and
(Tia plays with a kitten)
Tia: hello. She's feisty.
Russ: so now, with that in mind......
Russ: okay, then in other words, I should stop all
the frustrations I'm going through......
Russ: because I always thought that I would get to
Mark's point at some future point.
Tia: you probably could in some future......
Russ: future life maybe.
Tia: no, come on, think positive. That is your
problem is that you're not thinking positively. You
always have that doubt.
Russ: I know.
Tia: does Mark have any doubt in his ability?
Russ: he doesn't have to. He knows where he has to
Russ: I unfortunately don't have that experience.
Maybe I'll get to where I'm going but not in as
physical as Mark and I....
Tia: it's typical.........I find it very
entertaining watching you two sometimes. This
boating thing of yours the prime example.
Russ: well that's just fun, we're just goofing
Tia: you're both very competitive to each other.
Russ: yeah, but it's not serious or nothing.
Tia: yes I know but what I'm saying is that there is
some things that you excel in tremendously and are
way better than him. And then there are things that
Mark excels way better than you do.
Tia: you're both eloquent communicators but can Mark
sit down and have the patience to mess around with
the computer whereas you do? Does Mark have the
patience to sit down and listen to somebody complain
on how bad their life is going and what's going
wrong and the fact that they're not making enough
money and they keep on losing their jobs but could
you lend them some money and help them out of their
problems? Does Mark have the patience for that.
Russ: no, I see what you're saying. Okay, so
basically what we're looking at is the fact that
I'll just keep maintaining and that positive
attitude that I have, I know my ability.........
Russ: and I'll go ahead and push toward that ability
to achieve what I want to achieve and at some point
it's going to get better. Like for example
Russ: I had a great astral travel session. It was
only for a few minutes.....
Russ: but I did make translation from 3rd to 5th....
Tia: uh-huh and everything down there became very
mute and hard to hear, correct?
Russ: right. Whereas my consciousness was going out.
Tia: yes but it was like a little bit foggy around
Russ: yeah. So basically, just try to push myself
from that point there....
Russ: but don't try to reach for things that are way
out of my bounds like D jumps.
Tia: shoot for the stars, that's my goal, or that
should be your goal rather. Mark does suffer from
depressions due to the fact that he has to come back
to going to where he works at nighttime and sitting
down and being a night owl in the dark. It's not so
much the loneliness. I've sat down and talked about
it, it's the fact that he wants to be up here with
all his friends and buddies but he doesn't want to
leave down there permanently because he's got good
friends and buddies down there.
Russ: well it reminds me of that book that we got,
2150, where John was able to translate up to
Russ: but really didn't look forward to going back
Russ: but knew that that was where his life was.
Russ: he had the incentive to always be in 2150 so
he always worked on improving himself in 1975 which
is where I see us at right now. The carrot is in
front of the donkey....
Russ: and all we're doing now is we're pushing
ourselves harder and harder to get that carrot.
Tia: uh-huh, okay. We've sidetracked from the main
Russ: okay. Now then, now with my going into my
astral travel, the only way I've seen so far that
I'm able to achieve that consciousness in fifth
dimension perception is if I go ahead and translate
directly from here to our room on Hades Base....
Russ: with no transit times as far as going through
and shutting off the things and see myself coming up
because of the fact I go to sleep.
Tia: uh-huh. It's come to the point where things
will be almost automatic, correct?
Russ: yeah, I just see myself there.....
Tia: I think that's a definite improvement.
Russ: yeah, well yeah because when I try it the
other way now, it's too slow, I go right to sleep.
So I have to see myself there and just make the jump
for the perception change.
Russ: so now that's what I want to ask you about is
that perception change. What is taking place during
that if I can go from here and the next second I'm
perceiving Hades Base?
Tia: what you're doing is you're actually working
yourself up to it beforehand, correct?
Tia: you go, "okay, I'm going to go see Mistress
(Russ laughs at that)
Tia: your body goes, "okay"and it starts doing all
the problems, all the workout and your legs feel
Tia: and that you have to lie down, what's
Russ: but my body's automatically going through the
Tia: okay, so what you do is you're lying down,
correct? And even when you're lying down you're
already out of your body.
Tia: right? Or, you have the feeling of that you're
lying down, correct?
Tia: right? And you feel all kind of..........things
don't feel quite real.
Tia: you close your eyes and you start to visualize,
right? Now what you're doing is whilst you're
visualizing is that you're actually traveling. And
then for the first five minutes whilst you're there
is Karra coaxing you and calling you and interacting
with your subconscious and then finally.....
Russ: my consciousness pops out.
Tia: correct. Instead of visualizing is actually
happening because you know the apartment so well,
like down here, you have a pyramid, right there. You
have a futon right here. You have a box, a black
bookcase, people with pictures, but you see what I'm
Russ: right. I'm visualizing my apartment up
Tia: uh-huh, do it the same way.
Russ: usually I come in to the same spot next to
that bookcase over on the wall or I'll come in the
Russ: right. So I see what you're talking about. So
I had problems thinking that what I was doing is
actually astral projection.
Russ: for me it just seems like I'm still conscious
of what's going on down here, what I had for
breakfast or something, for example.
Tia: uh-huh. But then all of a sudden, like you've
been up there for five, ten minutes, right? You're
no longer thinking of that.
Tia: you're more focused on Karra's long legs and
her........I suppose you could call that a skirt or
whatever she's wearing.
Russ: okay, so that's all I wanted to get from you
basically was the fact that okay, I'm achieving what
I'm supposed to be doing. Okay good.
Russ: so for me I like it.
Russ: because I like to being able to just be there.
So now knowing that, you and I can work on how to
improve on that, right?
Russ: okay, because I want to let you know what I'm
doing so that we can work on something like that.
Tia: carry on talking, even though Kiri's
manipulating things, I can actually hear and see and
feel what's going on.
Russ: oh, so that's why you're able to feel....
Russ: because Kiri is helping with that.
Tia: yeah, she's going to get prepped up for
her........this is very disconcerting you know.
Russ: you should look at it from my side.
Tia: well I'm trying to talk and Kiri's trying to
control and look down and find her space for her
sketch that she was doing. Okay? Now whilst I lose
all focus. Okay, I'll pause the tape for her. Right,
we will continue talking whilst Kiri draws for you.
Russ: okay, now then, in other matters concerning
Russ: there is a point where I'm up there but I'm
not really sure what I'm seeing, okay?
Russ: it's like I'm not sure if it's my desire to
see something is making me see it or if I'm really
seeing it. So how you determine between the two?
Tia: by touching.
Russ: oh, by touching?
Tia: yes, reach out and touch her.
(Tia strokes the kitten as an example)
Tia: it's a little fuzzball.
Russ: our little fuzzball. I'm gonna start doing
some usual astral projection, thing I'm doing now
down here and start working on 3D.
Tia: what you can do to help is.......let me
see.....what you can do to help.....hmm, a way to
improve it, yes. A little experiment we ran this
morning with my adorable daughter, or one of my
adorable daughters, was that we were working on a
program of visualization.
Russ: he told me.
Tia: oh, you were? What did he tell you?
Russ: imagine seeing what it is you'd like to see
when you get there.
Tia: uh-huh. And how that help? Well that
is........now, what you do is look at that bookcase,
Tia: now see see the books there, see all the stuff
Tia: right? The jars and the untidiness at the
bottom there, right? And visualize......well see all
that, keep your eyes open, but close them and over
the top of that overlay something else. For example,
a little pot of trees there plus what you actually
see. See the green trees, see the pots that they're
in, whether they're blue, green, purple, orange, red
or tan, silver, key lime, see all those
things..................okay, so you visualize and
Tia: and I have a great idea for Kiri. That whilst
we do the work up on your astral travel and the
practical, she works on that. Okay, thank you Kiri.
Yes, I am ring mistress, thank you. So, you overlay
things over the top of it, okay?
Tia: practice it first and you will see that it will
Tia: because it helps you with your visualization.
That is the first step. If you're not a natural
talent, we're using it as a way of boosting an
Russ: right, I'll practice soon.
Tia: uh-huh. Okay, I'm going to put on the next
(Tia exits humming Hava Nagila)
(Kiri goes old West at her
(Kiri makes sounds like she's spitting into a
Kiri: yeah, that's better, isn't it....hmm?
Russ: okay darling......
Russ: all right, so we're discussing engineering.
Russ: now in that respect we're talking about
Kiri: yes, so we will need pen and paper, again.
Okay, right. You want to come over here so I don't
have to keep on picking it up and showing it to you?
Okay, there's the floor, right? This is the side
view. If you remember, we were talking to Carrie
about when she was doing plans, side view and so on.
Okay, let us scale it down a little.......okay, side
view and then will do a scale view. This would be a
lot easier if I had a drafting tool but, you don't
have one so I will improvise. Okay, now supports.
Okay, there's one support and there's the other
support there. So you do it in support sections. You
have a support, right? Let's widen these to show
them up easier. In fact it would be better to do it
that way when you build. Now, the problem you're
going to have is with wind, correct?
Kiri: so what you're going to do, right?
Russ: I assume you're using heavy-duty plastic for
Kiri: of course. Because the wind will make it act
like a sail. Now you want to spread it out, right?
But you want to have something to staple on.
Kiri: for the roof, right? This is the side view. So
what you do is you've got your clear plastic, right?
Russ: use your posts the same size as the other
Tia: yeah. Don't worry about that. Okay? So that's
your side view. Now let's do plans. Okay? This is a
plan view. Keep talking so that there isn't dead
space on the tape.
Russ: okay. Now there's going to be shelves inside
this I assume?
Russ: okay, you have the two supports going up.
Kiri: that's why you've got the supports, you see?
Russ: so your shelves are going to be fitting onto
supports for the shelves on each of those?
Kiri: you know I could have made it as an architect
back home? Although it's very difficult with
perception but this would be in the center actually.
In fact, I think that's the center, that's the
centerline over there. Yes it is, isn't it? Oh well.
Yeah, nevermind. Okay, so you would have here, you
would have your supports, right?
Kiri: and this would be your back fence right here,
okay? You would have a tree about here, another tree
Kiri: okay, so these are your roofing supports right
Kiri: and then you would have your wall supports
right there and there.
Russ: those are on the ground?
Kiri: well they'll be on the ground and there,
right? And here. Now the top ones would also act as
a gutter, right? Also you'd have downward supports
coming down through there, right?
Kiri: the strength in the roof again. You might want
to run one diagonally across like that, okay? It'll
give you extra strength on the roof. You see because
you're going to have to worry about support of the
snow or actually better still with doing this
Kiri: now, how to join those, let's do a little
thing........here, you cut out a piece of wood like
that and you would set another one on top.
Russ: all right, now where is the door?
Kiri: okay, the door would be right here, right? I
believe that's how you do doors, correct?
Russ: close enough.
Kiri: so you would have the door right there, okay?
And in actual fact it would be better if you had it
so it swung on this side so let's cross that out and
let's put the door here. Okay? That's better.
Kiri: okay? Now, for ventilation because it will get
frightfully hot in there, you would let's go to the
back view and I won't bother about doing side views,
you already have side views, okay? I'll let you work
out the measurements and everything. Or actually,
ask Mark, Mark has a little bit of drafting skill.
(We hear something drop)
Kiri: what was that?
Russ: Mark's farsighting crystal.
Kiri: oh, tell him I'm sorry. I'll go fetch it in a
Russ: she's sorry Mark.
Kiri: yeah. So, this is what you would do, right. To
make life nice and easy, what you would actually do
is prefabricate it. Okay? Then you would put the
door right there. Simple as that. Okay? So there's
Russ: you were talking about ventilation, I assume
we just keep the door open.
Kiri: not necessarily. What you do is you do a
little square window here, right?
Kiri: and you have it so it's hinged. Simple as that
and you have one at each end so you get a draft
Russ: a square window in clear plastic.
Kiri: easy, piece of cake. Supports there and there.
Kiri: four supports, okay?
Russ: right. And so you have a window at each end?
Russ: right, then you add the shelves.
Kiri: uh-huh. And your shelves would attach to the
posts you see. You build your shelf, right? Here's
your wall, right?
Kiri: and you've got your support there, right? And
the reason why I brought it out so you can actually
see it, right? Okay, these are your wall supports
here, right? There's your supports inside. You put
the shelf on top like this and then you drive
another piece down here and then you build these
slats like this which is for drainage and so on.
Okay, you got that?
Kiri: why not, what's wrong?
Russ: this last part, slats, where do they go?
Kiri: they would go on the shelf, here.
Russ: oh I see, I see, I see. So it's going to drip
down onto the plants below them.
Kiri: yeah, your plants up here in plants down
there. You can do one section in here and have this
with whatever you want there and then put in benches
in there, you could make benches so that they can
lift up and move out.
Russ: okay, now is this going to be on ground level
so you're walking on dirt?
Kiri: I don't follow.
Russ: in other words, floor.
Kiri: yes, the floor would be on ground level.
Russ: so it would be all dirt you're walking on?
Russ: good job, looks good.
Russ: our fence....
Russ: is six foot high. You could probably look over
Kiri: and what is that supposed to mean?
Russ: just a towering achievement.
Russ: okay, now, if that's six foot high......
Russ: and you want the door to be above your
Russ: that means the roof is going to start at the
top of the fence level.
Kiri: not necessarily. If you have a look on the
picture you'll notice that it's slightly angled, one
side is higher than the other.
Kiri: that's taking into consideration the back half
of the fence being used possibly as part of the
Kiri: saves on construction material.
Russ: all righty. Now then, there's going to be
periods where shade is going to hit it, right?
Kiri: uh-huh. But the heat that's retained in there
is going to be what keeps it going.
Russ: okay. And this isn't going to be used all year
Kiri: oh yeah, you can use it all year round. The
thing is you have to make the angle steep enough
that the snow just slides off. And if it does
accumulate on there, all's you have to do is go out
there and push.
Russ: right, but I mean the temperature inside the
greenhouse in the wintertime is going to drop
Russ: and so any plants in there will tend to want
Kiri: or go dormant. However, what you can do is you
can put a heater in there. Or what you can do is you
dig a ditch and you have a very long electrical
Russ: all the way across the yard.
Kiri: correct but we can discuss that at a later
time. But it will give delicate herbs an earlier
start, the ones that you're going to plant year
after year after year. And you can have things in
there like sage that will be protected even though
it will go dormant, it will still be protected and
you can protect thyme in there and it will give it
an earlier time to fire back up, okay?
Russ: right. That's it.
Kiri: okay. I believe this side is about to run out
anyway which is very useful because we'll take a
slight intermission and we'll get some fluid in him.
Russ: oh, tea.
Kiri: uh-huh. Yes, that will do. I believe there is
some out there that is microwavable and is
deliberately set up for this purpose.
Russ: I was thirsty.
Kiri: I'm Friday, pleased to meet you.
Russ: hmm, Robinson Crusoe.
Kiri: uh-huh. Do you know Robinson Crusoe was the
only person that used to get his work done by
(Karra takes over with some
help from Kiri and her body control of Mark)
Kiri: okay, we're going to make the field wider
for the next person so that I can do
(distinguishable) while she does the talking.
Guess who it is?
Karra: I'm having the same problem that my sister
had with tea just now. Yes, we're both fighting
controls. You can tell what Kiri's doing and what
Russ: now your descriptions of the various........
Karra: okay, the calmatives here and the narcotics
but nothing that is illegal such as cannabis.
Russ: now, where the name aspirin came from is
based on a name.
Karra: actually, what you can do is look up
aspirin in your dictionary and see who made it,
who invented aspirin. I think his name was
Kiri: there was a movie I once saw where a young
Einstein is being sent to the nut farm and he
talks to this gentleman and the gentleman goes,
"my name's Aspirin, I'm in for drugs, what are you
Russ: I haven't seen that movie.
Kiri: I think it's called young Einstein.
Russ: yeah, Mark's got it upstairs.
Kiri: it's funny, funny ha ha.
Karra: be serious.
Kiri: but I am from Sirius.
Karra: hey, we're a double act.
Russ: I see.
Karra: Kiri and Karra show.
Karra: intelligent, genius.....
Russ: I was just looking up aspirin.
Karra: what you can look it up later.
Karra: okay, so let us continue.......
Russ: oh here it is. A light crystalline
Karra: derivative of.....
Russ: acetylsalicylic acid, used especially for
anti diuretic and analgesic, it's got a weird
Karra: what does it say?
Russ: CH three COO, C.....
Karra: chemical compounds.
Karra: what you do is you get out your periodic
table and look up the chemical compounds. And you
don't have a periodic table, do you?
Russ: well there is acetylsalicylic.
Karra: okay, so what we do is is we go with
Russ: American elder....
Russ: Basil, Birch, black elder, buckwheat,
chamomile, catnip, fennel......
Russ: fragrant valerian....
Russ: garden thyme, ginger, lavender, mugwort,
nettle, pennyroyal, we've got that, peppermint,
we've got that, Primrose, radish, red eye bright,
rose, rosemary, sage, savory.......
Karra: now, stop reading them....
Karra: right? And remember something that we did
Karra: think back when she was here and what we
got her to do. What did we make for her? What
herbs were they?
Russ: basil, thyme, rosemary.....
Karra: uh-huh. Sage.
Karra: and an assortment of mints and garlic.
Russ: well we certainly have enough things for a
Karra: uh-huh. Okay, but getting back to Carrie.
Karra: okay, what did we do for her?
Russ: well we made it tea out of it.
Karra: correct. Which did what? Two effects?
Russ: calmed her down.....
Russ: and smelled good.
Karra: ummm......we'll get into aromatherapy later
Karra: calmed her down and it cured the aches and
pains that she was suffering at the time if you
Russ: true, I remember.
Karra: well it took it away from her, soothed her
a little, made some things go away.
Russ: well that's easy.
Russ: okay, so we go ahead and.............anyway,
I was looking through this book here, and under
Karra: wait a second, we go ahead and what?
Russ: oh, go ahead and start doing all this fun
Karra: go on.
Russ: anyway, I was looking through this book here
and throughout all of the book there
are........oh, in that section that said headache,
all around that are symptoms and the herbs for
them. Any symptom you had something like 20 herbs
or more next to them.
Russ: so, if all these herbs are used for.......I
mean if all the same herbs are used for all these
different things, how do you.........?
Karra: dosage. The more severe the symptom, the
more the dosage.
Russ: right, but let's say you want to use
Russ: to deal with a headache?
Russ: but rosemary it says is also good for
Karra: but if you've got a headache and you take
rosemary, you're not going to have cramps as well
Russ: so it's a cure-all?
Karra: correct. Now, talking of rosemary, I
noticed that you have some out there that need
Russ: right, I was going to ask you about.....
Karra: yes, start plucking the lower branches,
right? Just plop off the leaves and put them on a
dry newspaper, right? Put them somewhere where
they're going to dry and when they dry you grind
Russ: all right, so with the mortar and pestle
once these are dried, nothing needs to be done
Karra: and you can use them for cooking and so on.
Russ: now, with the advent of the greenhouse, then
I can increase my supply of rosemary due to much
Karra: correct. And I think rosemary is hardy
enough to survive up at your altitude, correct?
Russ: if it's indoors.
Karra: hmm. It won't survive outdoors?
Russ: not in the winter. In the summertime it
survives great outdoors.
Karra: but it goes dormant during the winter,
Karra: well that doesn't matter, you have sun
indoors and sun outdoors. I believe you have a
container that is usable for indoors, correct?
Karra: then use it.
Russ: well what I'm going to do is, I'm going to
build an indoor greenhouse up against that
Russ: out back.
Karra: you just extend the bench then that you
Karra: okay, I've got to hand over to the next
Karra: I believe this next part is going to take
quite a while.
Russ: okay, thank you.
(Tia returns to bring on the main speaker of the
Tia: okay, the reason why I cut Karra short as
correctly said, this next part is going to take
quite a while.
Russ: fair enough.
Tia: so we've got to sit Mark out so it will be
easier for communication and so on.
Tia: now, you will need energy crystal.
Russ: okay. Got it.
Tia: okay? Right, I'm going to warm it up
and.......or rather put it in Mark's hands to warm
up and set the process in motion for it to be
ready whilst we change over.
(Omal enters the channeling
field for a long meta-concert dissertation)
Omal: greetings and felicitations Russ.
Russ: greetings Omal.
Omal: and how are you doing?
Russ: real well.
Omal: okay, let us proceed with the end of a
dissertation from the dissertation last week to
round up our discussion on meta-concert.
Omal: now, having constructed your meta-concert
and decided what program you're going to be
running, how you wish to run it, the components
necessary, you now select a target. Now, what I
will do is I will do a dry run due to the fact
that I believe the crystals are about the
personage of Mark at the moment and we do not want
to erase his astral travel crystal. Okay, let us
say you are using a focusing stone or focusing
crystal. You hold it in your hands. The reason why
we're using the energy crystal at this time is so
that you can actually demonstrate feeling the
energy. Okay, now how are you really feeling?
Russ: really feeling? Is......
Omal: a bit tired?
Russ: yeah, just a little bit.
Omal: okay, sit there Russ. Okay, now you will
feel the energy and let us assume you are the
focusing target. And the only thing that you feel
at this time would be the energy coming from the
crystal into yourself. Now, having constructed the
meta-concert as I have said, deciding on the
purpose of the meta-concert, you will select your
target. The target being in this case Russ
Hatfield. Now you select the strength of energy
that you wish to send in that direction. In this
case, what we are doing is increasing the power
directed at Russ to increase his energy so he is
no longer disoriented.
Omal: you power up the crystal, this is my own
personal technique with it at the center of the
chest and arms. Select the target, locked, you let
the energy flow down your arms in the case of
energy being fired and directed at the individual.
And the energy will come out of the crystal thus
supplying it spread out over the auric field
around the individual. You feel it?
Russ: felt it in my legs.
Omal: okay, let us tighten this up. What do you
Russ: I'm feeling stronger.
Omal: okay. Now the function of doing that is to
increase your energy. It is spread out over your
auric field. Now we're using Mark's energy for
this exercise and what we did was use his natural
energy, focused it and fired it in your direction
which had a twofold purpose. It has energized you.
The second purpose is to what? By using Mark's
energy, if he ever learns how to focus it like I
did, what occurred?
Russ: no idea.
Omal: you feel happy, contented, and energized.
Omal: this is something very important. It will be
in our next discussion. Our next discussion that
we do next week will be shielding. And that was
Mark's energy. He's quite capable if he figures
out how to focus it directed, he could have
penetrated your shield. You have fancy shields
which he would slice through like butter. But
meta-concert. Now, you construct your
meta-concert, you select your target, you take
aim, you fire. Now, there are different types of
energy that you can use. For example, if you use
an energy like I used which is just a warm, fuzzy
energy, that warms up the individual, distributes
energy, it flows over them. If you use a laser
focused energy, the way that it works is when you
fire energy at somebody to help them increase
their circulation, you use a red color. A more
hostile laser is either white or blue. So there is
one that is red, two that is white and blue. Why
the difference? The difference would be the fact
that red signifies warmth whereas white signifies
cold as does blue. Directing a white laser beam at
a target is a way of stopping the target. Firing a
blue laser beam is a way of challenging your
target. You select a target, then you fire a blue
beam at them and they should move. You want to get
away from them. Other purposes of a meta-concert,
healing. That is Karra's field and I'm sure she
will deal with it and address it at a later time.
She is also addressed it in the past.
Psychokinesis, moving things. Or psycho kinetics
and their various functions can be used in a
meta-concert. Manifestations, again, you can use
that in a meta-concert. You can use manifestation
in combination with various things. Manifestation
can be used with PK and healing.
Russ: how about shielding?
Omal: shielding also. So by constructing the
meta-concert, it has many viable functions. Then,
after the session is over, depending on the amount
of time that you have, I suggest that you do a
twofold meta-concert basically of two individuals.
You will select yourself as the executive, that is
what you have done in the past, and then you use
Mark as the conductor. Now, what we want you to do
is to ignite a candle and Mark will collect and
send the energy to you. Now we don't want you to
go to terminating the candle, your purpose will be
to move the flame in a predetermined direction.
Okay? Now energy in a meta-concert is energy. It
depends on what kind of meta-concert you are
using. If you are using a meta-concert that is
constructed for peaceful purposes, it doesn't
really matter how many male to female ratio you're
going to have. If you construct a meta-concert in
a hostile mode, you will want more males, less
females. However there are some females that are
just as aggressive if not even more aggressive
than males. If you're doing a very, very peaceful,
lovey-dovey type of meta-concert, you would use
more women than men. But it depends on the
abilities of the individuals. For example, you
have an incredibly powerful healer that is a male
that does not need as many females. So it depends
more on the individuals that are being used. For
example, if you were to take Linda and with a
little bit of practice, she has an extreme ability
to be quite aggressive at times. So therefore,
should she be used in a meta-concert for healing
or a meta-concert for exterminating things, it
doesn't really matter that point. Take for example
an incident that happened back in March. An
individual that is known to be not a particularly
nice individual selected by two individuals and
they used their abilities in their various forms
to locate to cause harm to the individual. Have
you ever taken an oath?
Omal: then it is necessary to understand taking an
Omal: that is why it is necessary to look at the
big picture is what good will it achieve?
Obviously the case that was described, your legal
system failed to do what it was supposed to do.
The individual committed a crime again later with
another girl that he previously committed with his
own daughter. So therefore, not only did he commit
the sin of pedophile but of also incest.
Omal: and then he went on and committed another
sin with another young lady. In that situation, it
is necessary to take actions.
Russ: now, for me though, I saw it as being part
of a flawed nation.
Omal: whether or not it was flawed, his actions,
or the actions of both gentlemen were commendable
and they did what they believed to be correct. And
that they use their abilities to deal with an
individual is a potential harmful threat. Not only
is this individual a pedophile, but he is also a
very corrupt coercer. He has destroyed a marriage
which is more and more evident. He has used his
abilities for his own personal gain, so therefore,
what must be done? It must be stopped. And in
itself, that is a learning experience for the two
individuals. In the junior individual's case, it
was, would he break and oath and go, "no, I will
not do this" and therefore maybe then himself to
have to take the oath again. Or, by obeying his
oath, would he commit the sin of doing something
wrong to right a wrong? So therefore it is a
Catch-22. Which is the lesser of the two evils? No
matter which way the individual went, they would
be harm done. How does he deal with it is the
Russ: what about the karmic implications that
we're talking about? Hostile actions used with a
Omal: hostile actions with a meta-concert? It
depends on what the overall outcome is to achieve.
If it is to achieve a good goal, then by
destroying maybe one or two individuals, it will
do good. However, by destroying good individuals
it does harm. So you have to decide whether or not
the individuals are doing good or bad. You have to
stand back and weigh the odds and the only person
that can do that is the executive. Is he doing the
correct job that he is supposed to be doing? Is he
doing it for good, his own personal gains, or is
he doing it believing what he is doing is right
when in actual fact it is wrong. A good example of
a meta-concert that is designed for good when in
actual fact is bad is the famous rallies of
Nuremberg. They were designed to do good, or that
was perceived good by the individual. But, it
depends on what the overall picture is. You have
to remember that in constructing a meta-concert,
the individuals that construct it believing that
it is for good always believe that is for good.
Take for example, Mr. Adolph Hitler. He did not
believe what he was doing was wrong.
Omal: so therefore in his opinion it was good. So
you have to look at the overall outcome of what is
going to happen or what you wish to happen and see
if what you wish to have is good or bad.
Russ: okay let's take a theoretical case in which
you got the executive determined that they're
going to use a meta-concert but not everyone is in
agreement with the moral implications that he is
saying? Are those people should possibly stay out
of the meta-concert?
Omal: yes. You have to remember if you have eight
individuals, the sum of the parts are more
powerful together than just as individuals. Mesh
them altogether. Let's say you have.....let's use
the scale of one to a hundred. Everybody is 90,
correct? You have 10 individuals, that is 900.
However with meta-concerts, it's not quite like
that. With a meta-concert, you would have 900
strength individuals but in actual fact it is more
like 1500, almost twice as much with the
individuals involved. That is because it is more
focused and the strength of the energy being
pulled in is multiplied by the individuals in the
meta-concert by approximately a factor of 1.5.
Okay, now, getting back to little practice after
the session is over depending on how much time you
have. What you do is ignite a candle, you fire it
up, Mark collects the energy from the felines
spread of one of the two which will give him
practice on collecting energy. You use an energy
crystal as a fallback. That way you can also have
energy in your hands. Okay, now I will put Tia
back on. Live long and prosper, engage. One to
beam up. Aye Capt., I'd like to, but you're on the
La la la la la, la la la la la la. La la la la la,
la la la la la la.
Russ: it's Tia.
Tia: yes. Oh yes, we're going to have to do that
again due to the fact of Omal's experiment because
that would take another half-hour. I would've
wandered off and made myself useful. Straighten
things up, I'd do the dishes so they're all nice
and neat and I would come back. I was going to put
you into an astral travel state. But, because of
Omal's experiment, we can't do it. Now we havet
Carrie the week after to work with. Perhaps if we
move Carrie to the last week of channeling, the
current channeling months........?
THE TAPE ENDS